But it does have three of his most beloved movies, Jaws, E.T., and Jurassic Park, each supported by extensive extras. (There’s no Close Encounters, Raiders of the Lost Ark, Saving Private Ryan, Schindler’s List, or A.I., to name just a few). The eclectic batch of films included in this set are hardly a comprehensive collection of Spielberg’s best. It’s not entirely apt to say that a director as successful as Steven Spielberg “hasn’t gotten his due,” but it’s true that - like Alfred Hitchcock before him - he’s often been taken for granted, and unfairly dismissed as a shallow panderer.
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Each of these films - plus the harder-to-categorize Lolita and Eyes Wide Shut - are all distinctly the work of the same hyper-controlling crank, who always knew exactly what he wanted in the frame, and left everyone else to puzzle over why.
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Strangelove), brainy science-fiction ( 2001), dystopian social commentary ( A Clockwork Orange), literary adaptation ( Barry Lyndon), gothic horror ( The Shining), and wartime adventure ( Full Metal Jacket). They encompass such disparate genres as political satire ( Dr. The eight movies in The Masterpiece Collection cover everything he made from 1962 to his death in 1999, supplemented by multiple lengthy documentaries about his life and career as a whole. He spent years between projects, carefully crafting what were essentially expensive art films, designed to be pored over by obsessives looking to understand his intricate visual designs and aloof, ironic take on humanity. One of the first American directors to rise to the challenge of what auteurs like Bergman, Fellini, and Kurosawa were doing overseas, Stanley Kubrick started as an independent before working within the Hollywood system. His La Dolce Vita isn’t just a sprawling study of the debauched Roman nightlife, it’s something of a cultural phenomenon, responsible for launching trends in fashion and movies - all of which are well-covered in Criterion’s Blu-ray. His pictures were internationally popular too. The most inspiring talent to come out of that era was Federico Fellini, who came of age during the waning years of Italian neorealism and then went on to make dense cinematic pageants that presented his thoughts on art, politics, celebrity, Catholicism, Italian history, and gender relations. But in the ’50s and ’60s, the world saw the sudden emergence of geniuses like Ingmar Bergman, Akira Kurosawa, Jacques Tati, and Michael Powell and Emeric Pressburger, all capable of marshaling the resources to produce large-scale interpretations of their own quirky visions. See pricing for "The Lord of the Rings: Motion Picture Trilogy (Extended Edition)" from much of the first half-century of cinema as an art-form, “personal” filmmaking was limited to fringe artists and the few clever Hollywood craftsmen who could sneak their own point-of-view into mainstream product. As of this writing, the theatrical-release version of the trilogy (in Blu-ray) retails for about $15 less than the extended version. Note: We're still waiting for the extended and theatrical-release versions to be bundled in one Blu-ray package. Truth be told, we did not re-watch the three films in their entirety before posting this blurb, but true fans shouldn't hesitate to block out the over 11 hours to view them all in one sitting-without bathroom breaks. But for the $70 or so that it costs for this edition, you will get 682 minutes of spectacular audio and video that's sure to test the mettle of your home theater.
Alas, most of the bonus features are on DVD, not Blu-ray, which is too bad. Legions of devoted "LOTR" fans doled out one-star reviews on Amazon for the Blu-ray theatrical release of the three movies because they all wanted the Extended Edition, which has finally arrived in a package that includes a whopping 15 discs. 'The Lord of the Rings: Motion Picture Trilogy (Extended Edition)'
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